Namaste Wahala is a Pidgin-Indian time duration that interprets to ‘Hello Peril’, and it generally sums up the storyline of this Indo-Nigerian film.
This film hammers on an interracial and depraved-cultural fancy yarn between an Indian funding banker, Raj (Ruslaan Mumtaz) and Nigerian attorney, Didi (Ini Dima-Okojie). A elaborate yarn that encounters obstacles from both fogeys who’re stuck on cultural differences.
The film was as soon as at the start released in December 2020, on the opposite hand it’s viewing was as soon as cramped to private theatres and critics earlier than it was as soon as officially released on the global streaming platform, Netflix on 14th February 2021.
Being a merger between Nollywood and Bollywood, two of the safe film industries globally, the film starred successfully-known Nollywood acts enjoy Richard Mofe Damijo, Ajoke Silva, Ini Dima Okojie, Ibrahim Suleiman, Anee Icha, Koye ‘Good ample10’ Kekere Ekun, Osas Ighodaro, Imoh Eboh, Frodd and Broda Shaggi.
From Bollywood we had Ruslaan Mumtaz, Sailesh Ahuja, Sujata Segal, Hamisha Daryani Ahuja .
On this romantic comedy, Didi’s fogeys and Raj’s mother got off the worst foot after their younger other folks determined to exercise their fancy dwelling to household. For fogeys who’ve been hounding their younger other folks to search out companions, they didn’t seem very chuffed.
Didi’s father, Ernest (Richard Mofe-Damijo) and Raj’s mother, Meera (Sujata Segal) played the pivotal roles of the warring generals adversarial to the thought that of their very various but madly in fancy younger other folks being together.
Weathering the storm, Raj and Didi in the end navigate this fancy yarn to the level that both parties conform to the union that was as soon as aligned by future.
Overview of Namaste Wahala Production
The film had a solid casting with heavy names in both Nollywood and Bollywood. It is suited of existing that every the solid looked age-acceptable for the roles they had been to play, making it an even bigger skills for the viewer.
Yolanda Okereke, who was as soon as the Nigerian costumer on the manufacturing looked as if it would be deeply in fancy with shining colours as we gaze all thru the film and who else can have perfected the Indian costume if no longer Rahil Raja. Both costumiers introduced cultural versatility that blended beautifully.
The cinematography in Namaste Wahala was as soon as fine, in particular seeing that some scenes had been location to steal the Nigerian and Indian particulars which the cinematographer did no longer neglect. There had been moreover unbelievable long photos that gave more particulars to the scenic reports.
Film Colorization on this film was as soon as no longer misplaced, and likewise you would per chance per chance perchance per chance gaze that important adjustments had been made to inch smartly with the mood of various scenes. Some scenes that had been already very colourful can have been toned down moderately, but nothing the eyes would possibly per chance perchance no longer handle.
The namaste Wahala yarn is a typical fancy yarn and would accurately be described as cliche. Making it more cliche is sweet oldschool Bollywood singing and choreographed dancing. Seeing that here’s Hamisha’s debut film as a scriptwriter, producer and director, there would possibly be simply a dapper room for construction.
English was as soon as the predominant language on this film with some scenes in Hindi. There was as soon as a splash of Nigerian pidgin here and there in particular in the airport scene with Broda Shaggi and Meera, Raj’s mother.
Right here is the ranking board for the Namaste Wahala film manufacturing;
Message Initiating – 6
Costumes – 8
Story Screenplay – 7
Directing – 6.5
Language – 9
Tune – 7
Film Colorization – 9